J.J. Abrams traces his love for the unseen mystery — a passion thats evident in his films and TV shows, including Cloverfield, Lost and Alias — back to its magical beginnings.
Agile Writers is a writer’s club dedicated to helping the beginning writer create a first-draft novel in 6 months. The process of getting from a blank page to a full manuscript is based on the writings of experts in the field and years of interaction with writers of all skill levels. It is the contention of Agile Writers that anyone who has a story to tell can complete a first-draft novel in 6 months.
May 19
J.J. Abrams traces his love for the unseen mystery — a passion thats evident in his films and TV shows, including Cloverfield, Lost and Alias — back to its magical beginnings.
May 19
From The Civil War to Jazz, Ken Burns’s sweeping documentary series have brought American history to life for millions of viewers. His signature style is so well known that Apple’s iMovie has a function — a slow zoom on a still image — called “the Ken Burns effect.” For a documentary filmmaker, it’s hard to imagine a more intimidating project than making a documentary film about Ken Burns. When Sarah Klein and Tom Mason set out explore the mysterious nature of story, however, they decided to do just that. In their beautiful short documentary, Ken Burns: On Story, premiering here today, the filmmaker shares insights into the craft of storytelling and reveals his highly personal quest to “wake the dead.” Klein and Mason talk about the genesis of the project in an interview below.
May 15
This is the first book printed by Agile Writer Press. It is the manuscript left behind by my late uncle Don Bellew. It is being printed in limited quantities as gifts for friends and family in his memory. (Cover by Bonnie Watson)
May 7
Google is taking a bite out of Apple among consumers who read e-books.
Two out of five e-book readers who choose a tablet as their primary reading device use an iPad; at the end of 2011, two-thirds of those e-book readers were using an iPad, roughly a 25 point drop, according to a new study from the Book Industry Study Group (BISG). Some 25% of all readers who read e-books are now reading on tablets, up from under 20% at the end of 2011. (See chart below.)
About 10% of consumers who read e-books chose the iPad as their e-reading device of choice at the end of 2011 and in the most recent version of the BISG study. Over that same period
BISG, in partnership with Bowker Market Research, interviewed 1,000 e-book readers about their attitudes toward e-books and e-reading in February 2012 as part of the Consumer Attitudes Toward E-Book Reading study. Over the same period, those reading e-books on an Android tablet jumped to about 15% of all e-book readers from about 6%.
Growth in tablet e-reading was fueled in the early part of the year by Amazon’s Kindle Fire. According to a recent report from research firm IDC, Kindle Fire shipments plummeted to 4% of first quarter 2012 market share after capturing 16.8% of the market in the fourth quarter of 2011.
As consumers increasingly choose tablets of any type as primary reading devices over dedicated e-readers, the e-book business could be adversely affected, according to Kelly Gallagher, vice president of publishing services at Bowker.
“Tablets will adversely affect the e-book business in that the tablet is a multifunction device and will therefore draw the reader into non-book activities and therefore cause them to consume books slower and therefore buy fewer books versus a single function e-reading device,” Gallagher told Digital Book World last week.
As tablets put pressure on sales of dedicated e-readers, prices of the e-ink devices could drop until they hit $0, Gallagher said.
“I think Nook and Kindle will actively promote this [a free e-reader] by the end of the year,” said Gallagher.
http://www.digitalbookworld.com/2012/ipad-e-reading-market-share-stagnates-as-tablet-e-reading-rises/tablet-books/
May 4
MINI-REVIEW: Hulk Smash, Iron Man Fly, Thor Grimace, Humans Run!
RATING: See it in theaters
(Rating System: “See it in theaters,” “Wait for the instant download,” “Don’t waste your time”)
Loki (Tom Hiddleston), the half-brother of Thor has returned to Earth to pave the way for a wave of destruction at the hands of evil aliens. But secret agency S.H.E.I.L.D has been preparing by analyzing the mysterious Tesseract – an blue-glowing cube of unharnessed infinite power. Loki steals the Tesseract and it is up to Nick Fury (Samuel L. Jackson), leader of S.H.I.E.L.D to pull together a team of the world’s first super heroes to defeat Loki and return the Tesseract from whence it came. The heroes are known as The Avengers and they are Captain America (Chris Evans), Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), The Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson), and Hawkeye (Jeremy Renner).
The Avengers is a recipe for disaster. It is an ensemble cast of players, each of whom is a third magnitude star in his (or her) own right. Whenever you get this many egos in the room at one time, there is bound to be in-fighting. And in fact, this is what happens in the movie. The heroes can’t get along. They jockey for alpha-male status, only to find that they are equals, each with his own unique strength. And yet, both on the screen and in reality, they find a balance. Each actor brings his own ingredients to the mix. And each actor plays his (or her) character to perfection; as if it were their own film.
Another problem is backstory – there is a lot of it. Some of these characters have been brought to the collective consciousness in their own debut films of the last couple of years (Iron Man, The Hulk, Thor, and Captain America). If you’ve seen their films then you have an idea of who they are already. The other two needed a bit more introduction and it was skillfully interlaced with the action.
And then there’s the problem of interaction – 6 main players plus Fury and Loki implies 28 different relationships. And that’s a hard act to pull off in just 142 minutes.
Still, writer/director Joss Whedon (“Buffy the Vampire Slayer,” “Serenity”) pulls it all off with apparent ease. The story is relentless in its pace and still fills us in on who the characters are and what they contribute. There’s an amazing scene when the characters are at their lowest point (close friends are dead, the team is dispersed) and they expose each other’s weaknesses. The souls of our heroes are left bare. This gives us nowhere to go but up.
And indeed, up we go. To beat their combined foe, the team must pull together: each member using their special gifts to turn back an invading force.
But as amazing as the film is, there are problems. The last climactic scenes are a series of improbable battles in the heart of New York City. Mind you, these battles are carried out with much more precision than the garbage whirlwind of the Transformers films. But, due to the PG-13 nature of the film, we find little bloodshed and a lot of tumbling skyscrapers.
Which brings me to the biggest problem I have with the film: just how strong are these super heroes? Hulk, besides being hulking, is apparently impervious to direct bullet and missile fire. Captain America can apparently withstand the full force of alien hand grenades. Iron Man takes a licking and keeps on ticking. And Thor, with his mighty hammer seems to be able to stop anything, but still goes flying when monsters whip their tails. And for the other two (who remind me of the Professor and Marianne from Gilligan’s Island – “and the rest”), when there is a battle they are sent off to do reconnaissance or direct traffic lest they be trampled or crushed. They may be more of a liability than they are worth.
Finally, I want to talk about the unsung hero of the Marvel universe: Stan Lee. Lee has a cameo appearance in every Marvel action movie. He is held as sort of the progenitor of modern hero lore. As such, he is a special icon in the comic book (and now movie) realm. All legends spring from his fount. There is a name for that kind of hero – they are called gods.
So, for outstanding story, characters, special effects and an amazing “boot” (not even a reboot) of a new franchise, I recommend you see it in theaters.